This compilation was recorded in 1990 to showcase New Orleans musicians at a time when Storyville was becoming noticed by the major labels, never mind that New Orleans music has been a big part of rock 'n roll and jazz all through history. The overall effect of the project is to deliver the kind of "New Orleans music" a big-name producer would create for a Hollywood movie set there. The musicians are recognizable New Orleans names like Dr. John, Allan Toussaint, Aaron Neville, Irma Thomas and Pete Fountain, but the production tends to make them sound more mainstream than the title of the album would suggest. But there are some good moments here: Rockin' Dopsie and the Zydeco Twisters do a Cajun "Jingle Bells," Luther Kent's "It Came Upon a Midnight Clear" is arranged like a big 60s soul show-stopper, and the Zion Harmonizers stick close to their gospel roots with "Go Tell It on the Mountain." And does Dr. John, heard here on "Merry Christmas Baby," ever cut a bad side? On the other hand, Aaron Neville's "The Christmas Song" is more like his second career as an MOR balladeer and less like his Neville Brothers roots, and the other tunes are well done but not particularly distinguishable as "Creole music." Your call.A Creole Christmas, various artists (Epic Associated)
This compilation was recorded in 1990 to showcase New Orleans musicians at a time when Storyville was becoming noticed by the major labels, never mind that New Orleans music has been a big part of rock 'n roll and jazz all through history. The overall effect of the project is to deliver the kind of "New Orleans music" a big-name producer would create for a Hollywood movie set there. The musicians are recognizable New Orleans names like Dr. John, Allan Toussaint, Aaron Neville, Irma Thomas and Pete Fountain, but the production tends to make them sound more mainstream than the title of the album would suggest. But there are some good moments here: Rockin' Dopsie and the Zydeco Twisters do a Cajun "Jingle Bells," Luther Kent's "It Came Upon a Midnight Clear" is arranged like a big 60s soul show-stopper, and the Zion Harmonizers stick close to their gospel roots with "Go Tell It on the Mountain." And does Dr. John, heard here on "Merry Christmas Baby," ever cut a bad side? On the other hand, Aaron Neville's "The Christmas Song" is more like his second career as an MOR balladeer and less like his Neville Brothers roots, and the other tunes are well done but not particularly distinguishable as "Creole music." Your call.No TrackBacks
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