This album was originally released for Christmas 1967, which means Stevie was still 16 and still taking orders from Berry Gordy as to what and when to record. Which explains why this album has more in common with the other Motown holiday albums than it does with Stevie's later, history-making work. It's a full-orchestra pop album for the most part, pretty sappy across the board, with "Andy Willams Christmas Special" styled versions of "Silver Bells," "Ave Maria, "The Christmas Song," "The Little Drummer Boy," and so on. There are some originals from Motown's staff writers, the nadir of which is "Twinkle Twinkle Little Me," which was bad enough on the Supremes' album without making Stevie do it too. Of course, as long as Stevie's singing, how bad can this album be, right? Fortunately, this album contributes to the canon "What Christmas Means to Me," the only straight-up Motown-style tune on the album and enough to justify the rest, although I wouldn't mind hearing a more muscular version of "One Little Christmas Tree" sometime from someone, too. The title song is rendered in a fairly middle-of-the-road arrangement, but it's a good holiday tune anyway. UPDATE: The 20th Century Masters edition of this album released in 2004 adds two additional cuts, "The Miracles of Christmas" and "Everyone's a Kid at Christmas Time."
Someday At Christmas, Stevie Wonder (Tamla)
This album was originally released for Christmas 1967, which means Stevie was still 16 and still taking orders from Berry Gordy as to what and when to record. Which explains why this album has more in common with the other Motown holiday albums than it does with Stevie's later, history-making work. It's a full-orchestra pop album for the most part, pretty sappy across the board, with "Andy Willams Christmas Special" styled versions of "Silver Bells," "Ave Maria, "The Christmas Song," "The Little Drummer Boy," and so on. There are some originals from Motown's staff writers, the nadir of which is "Twinkle Twinkle Little Me," which was bad enough on the Supremes' album without making Stevie do it too. Of course, as long as Stevie's singing, how bad can this album be, right? Fortunately, this album contributes to the canon "What Christmas Means to Me," the only straight-up Motown-style tune on the album and enough to justify the rest, although I wouldn't mind hearing a more muscular version of "One Little Christmas Tree" sometime from someone, too. The title song is rendered in a fairly middle-of-the-road arrangement, but it's a good holiday tune anyway. UPDATE: The 20th Century Masters edition of this album released in 2004 adds two additional cuts, "The Miracles of Christmas" and "Everyone's a Kid at Christmas Time."
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