Earlier in the 2024 season, I posted a couple of actual albums of R-rated novelty Christmas music generated in part or totally through the use of artificial intelligence. Since then I've come across some other players in this nascent field of endeavor.
- Last Runner Records is a YouTube channel offering this kind of stuff, including Omar Henson's "Santa Humping Mommy," Lola Waters' "Shotgun Santa," the Sharon Sisters' "Under the Mistletoe With a Hairy Beaver," Douglas Dynamite's "We'll All Be Dead By Christmas," and Brett DeButts' "Happy F***** New Year." All of these are in pre-rock 'n roll pop styles and the artists, needless to say, are imaginary.
- Pablo Guccierez hosts another YouTube channel of this stuff, including the southern rock tune "It's a White Christmas (It's a Cocaine Christmas)," the country tune "I Shot Rudolph the Red Nose Reindeer, Now Santa Is Out to Get Me," the vintage soul tunes "It's a New Year But I'm Still Doing the Same Sh*t" and "My Cat Pissed on Santa's Cookies," disco tunes like "Santa Crashed His Sleigh Into My House While Drunk" and "Santa and His Ho Ho Hos (Merry Pimpmas)," doo-wop tune "Your Kids Ain't Getting Sh*t For Christmas," and more non-holiday fare.
- Then there's Mischievous Melodies, which has a YouTube channel, a Bandcamp page, and entries in the usual streaming and download spaces, offering "He Likes To Stuff My Turkey at Christmas," "Kiss My T*ts Under the Mistletoe," and "I Caught Santa Jingling His Balls," all in pre-rock 'n roll pop styles.
- And although we normally don't cover jazz here, Human Curated offers two AI-generated jazz Christmas albums, one vocal, one instrumental.
YouTube apparently has a policy that requires disclosure when content is generated partly or wholly via artificial means, which is the main way I know this stuff isn't "real." Most, but not all of the players involved here go to the trouble of attributing these songs to fake artists with fake back stories about how these are "rare vinyl" from whatever epoch they're imitating.
I'm happy to play along with these items as long as we know what we're getting. The problem is that unlike all the AI images of seven-fingered Jesuses baptizing MAGA idiots that are sweeping social media, these AI songs don't surrender their secrets simply from listening. Indeed, various social media music threads are full of people noting how they can detect riffs and sounds from existing music in these AI tunes, even down to which antique plate reverbs and echoplexes are in use.
And now that we know that Spotify has contracted with royalty-free soundtrack houses to fill their queues with generic (and royalty-free) tunes to fill their algorithmically generated playlists, how long is it going to be until Brett DeButts and Douglas Dynamite have artist pages and bios on the streaming services? And how many streaming minutes generated by them could have gone to flesh-and-blood singers and songwriters going forward? All useful questions in my mind.
Of course, people reading this are probably music fans who will exercise their due diligence in these matters, but most people aren't fans to that degree and will not object to having their playlists fattened by Muzak as long as they recognize a few names and melodies. Then again, the Beatles' final single "Now and Then" had elements of AI used in its creation, so who's to say we won't eventually be inundated with productions like Frank Sinatra singing the Taylor Swift songbook with Nelson Riddle arrangements, or Elvis Presley reimagined as a hip-hop artist? Just like Napster, legal downloads and streaming, these things arrrived without any permission from existing gatekeepers and rent-seekers.
Still, speaking from experience, it remains possible to draw a crowd by picking up a musical instrument and playing live and in the moment, and people will continue to do this at bus stops, church picnics, bars and pubs, probably even on their front porches when the weather permits. You won't see this on any network TV shows or in your local hockey arena, but it will be there when you're ready for it.
The Philadelphia comedy troupe normally drops an album just ahead of Christmas every year; last year it was more of an EP and for 2024 it's just a single, which is underlined by the cover art at right. But it's a good one; "Reindeer Game" is a solid holiday takeoff on Chris Isaak's "Wicked Game," and the flip side, "Last Christmas (I Told You I Loved You)," appears to be an original with no relationship to Wham; it's a semi-grungy sounding indie-rocker that folks with that particular taste might enjoy. Get it from their 

John hasn't been the transgressive indie filmmaker for many years. Since his "Hairspray" was reimagined as a musical, he's been writing books and hitting the lecture circuit. One think he did do that's relevant here is compile a great off-the-wall
The actual title of this comedy EP is Merkel and the Merkelettes Sing One Half of a Christmas Classic and a Couple of Songs You've Never Heard Before, but it was too unwieldy for the title field. For 2023, this Philly comedy ensemble only managed to squeeze out four tunes, a fairly smarmy version of "Silver Bells," a weak takeoff on the Beatles "Her Majesty" called "Saint Nicholas," and two originals. "Don't Get Caught Under the Mistletoe" is rendered as some sort of lost World War II pop song and "Christmas Eve in a Communist Bookstore" is a Sixties folk revival satire. They've done better work in previous years, but the latter two songs deserve a hearing. Pop over to
This Philly parody troupe dropped its latest holiday offering on Christmas Day 2022, in keeping with the tradition. This year's offering is a little lighter than previous entries, consisting of five distinct performances, two of which are mostly sketches, although "No Christmas Tree" incorporates the antique carol. That leaves the ode to compulsive dining "Eat Christmas Hams," a hard rocker whose melody I don't recognize; "The Mall at King of Prussia," a parody of "Hotel California"; and the title song, which takes off from the Talking Heads' "Life During Wartime." The usual warnings about hobbyist recording and performance apply, but that doesn't take away from the listening pleasure. It's on 
We had Vancouver-based Adam for the first time
Having just gotten last year's entry by these Philly jokesters, it was fresh in my mind to go after the 2021 entry in the series upon its Christmas Eve release. This year's conceit is the current obsession of billionaires with space travel, especially Amazon, and running character Rich Mahogany's need to testify in front of Congress about that company's imaginary adventures in space involving floating warehouses and Merkel's misadventures there. Lots of references to "2001: A Space Odyssey," "Peanuts," and "The Grinch" of course, along with a lot of dated political references in the congressional segments. "Spaceward" and "Christmas In Space" are folky ruminations following the storyline, "Christmas Spirit in the Sky" parodies the 60s hit by Norman Greenbaum, "Straight Up" steals the Paula Abdul smash, "Whoville In the End" plays off "Blowin' In the Wind," one of the sketches, "Mr. Mahogany Is a Little Freaked Out," incorporates a takeoff on John Lennon's "Watching the Wheels," "Still Alive" is a vocal solo by "Mother," the spaceship's artificial intelligence character, though if it's a parody I don't recognize the original song, and "The Merkelettes" is a concluding number based on Marshall Tucker Band's "Take the Highway." This doesn't lend itself to playlisting, unfortunately, as the tunes are too tightly wound into the sketch material, but that doesn't mean you won't enjoy listening to this album on its own merits. As usual, it's on
Missed this when it dropped Christmas Eve 2020, the latest collection of novelties and sketches from 
Most of what you see here comes from professional musicians, but we've never shrunk from presenting people's homemade holiday visions here. Adam's 


Last year, we glommed onto these guys from Philadelphia who have been creating fun parody records for Christmas annually, and this is their 2019 edition. This time around they incorporate the comedy sketch bits more closely with the songs, and I'm liking this year's collection a lot. Only seven songs, but they're all winners. "San Ta!" is a takeoff on Outkast's "Hey Ya!," "Why Don't We Just Use Rudolph's Nose" is an elaborate sketch used to set off a parody of the Beatles' "Why Don't We Do It In the Road," "Mr. Bezos" pokes at online Christmas shopping to the tune of "Please Mr. Postman," "Christmas Is Expensive" tinsels up the "M*A*S*H" theme, another sketch prefaces a holiday version of "Suzie Q," "Red Dressed Man" takes off from the ZZ Top song "Sharp Dressed Man," and the closer is a medley of two Band songs parodied thusly: "The Wait/Up On Christmas Eve." They always drop these collections with minutes to go before Christmas, but if you're just planning your Christmas mixes you might still have time to include these. Hie thee onward to 
If you use Facebook at all, somebody in your feed has posted a Randy Rainbow political parody song at some point in the past few years. He's managed to parlay this into a career, with YouTube videos, downloads and even live concerts. And for 2019, he's gone Christmas with 





